Concealment

This drawing, which was another response to the Dylan Thomas poem (Green Fuse), was to deal with the idea that we are greatly affected by structures even though they may be hidden. It was also to deal with how our brain conceals certain realities for us through reduction of information. I was always interested in how the subconscious mind works so I tried to create multiple perspectives, multiple objects, and drag the viewer into a single focal point, giving the feeling that you could reach it, but then giving the clue that it is impossible to reach.

(2009) Mixed Media